After a bank job goes badly wrong, three desperate criminals take a young woman and a father and child hostage – it’s the beginning of a frantic and violent road trip that not all of them will survive.
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Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome, Herod’s long-absent stepdaughter. Herodias sees the king’s dawning lust for Salome as her means of bending the king to her will. But Salome and her lover Claudius are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications…
Akbar has just turned eighteen. He has been held in a rehabilitation centre for committing murder at the age of sixteen when he was condemned to death. Legally speaking, he had to reach the age of eighteen so that the conviction could be carried out. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, who himself has undergone imprisonment for burglary, soon after his release tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution