The 1854 Wyoming historical drama is based on Tom Shell’s adaptation of the true life memoirs of Pony Express rider Nick Wilson.
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Bree is about to get a sex change operation that will finally allow her to actually be what she’s already been in her mind for a long time: a transitioned woman. Yet before this happens she suddenly runs into her son who ends up coming for the trip across the United States.
Injustice begets a criminal. Kool is an artist without prospects, a black belt in karate, and in love with LaShawna, poised and college bound. One night she witnesses a stabbing and discovers the victim is a cop as he dies in her arms. She’s jailed for murder by the infamous Ramparts Division of the LAPD. Kool wants to prove her innocence, and Tully, the cynical detective in charge, ignores LaShawna’s case but uses Kool to break up an incipient crime operation. She’s in danger because the guilty parties fear that the officer talked before he died. While in jail awaiting a hearing and legal help, she’s beaten to death by a rogue cop. Kool vows revenge: the Hot Boyz are born.
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.
Modern treasure hunters, led by archaeologist Ben Gates, search for a chest of riches rumored to have been stashed away by George Washington, Thomas Jefferson and Benjamin Franklin during the Revolutionary War. The chest’s whereabouts may lie in secret clues embedded in the Constitution and the Declaration of Independence, and Gates is in a race to find the gold before his enemies do.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.